That’s Not Tinnitus, That’s My Characters Talking In My Head…

Let’s face it. Writing can be a lonely job, even when you’re an introvert. While extraverts are off playing golf, meeting for coffee and cake or, heaven forbid, singing karaoke, we writers are crouched over our laptops, trying to transpose those voices from our heads onto the page and ultimately into a book. Yes, writing is something we must do in solitude.

Usually.

But, there is a place where we introverts can shine.

GenreCon is a place to hang with your tribe, soak up the words of successful authors, editors and publishers, and discuss ideas with people who already know about those voices in your head, because they have them, too.

Yes, once a year, writers can come together in the joyous celebration that is GenreCon. And yes, your heart should give a little flutter when you read the word, just like mine did when I typed it. And here is why: Every February the Queensland Writers Centre hosts a writing conference that brings local, interstate and international authors together at the State Library of Queensland. And it’s all achieved by the tireless work of the Queensland Writers Centre. How they manage to create such a miracle, I have no idea. I can’t even organise a chook raffle in a pub!

I’ve been to several GenreCons, and always come away bubbling with excitement, new stories leaping onto the pages of my notebook, more stories queueing in a disorderly fashion and squabbling to be put down on the page first. Honestly, I wish I’d never given up shorthand at school. This year’s GC, though, was almost like a roller coaster ride for me. It began when I won the GenreCon Short Story Award, and my story Smooth was read out by none other than the keynote speaker, Patrick Ness, a brilliant YA, Children’s and Adult writer and scriptwriter (think Dr Who). Now, winning was enough of a surprise, and for Patrick to read my story out on the launch night was sublime, but I even managed a few minutes chat with him afterwards.

Rubbing shoulders with internationally famous authors? Yes, anything is possible when you attend GenreCon. But wait, there’s more. Much, much more. But, you knew that already, didn’t you?

Being a writer of contemporary crime, historical crime and fantasy, I found the hardest thing about the three-day weekend was choosing whose workshop or panel to attend. Friday was a full-day workshop with Nick Earls on the Novella, and, with the novella’s recent rise in popularity, I jumped at the chance. I’m now halfway through writing two novellas. I told you GenreCon was inspiring. Saturday and Sunday were full of panels filled with authors, editors and publishers giving us their insights on new trends in publishing, as well as workshops on crime writing, sci-fi writing and getting into your villain’s head, to name a few.

There were talks on the craft of writing, how to write the crucial synopsis and cover letter, and a session on PR. Yes, an ugly word to many writers, but a necessary evil if we want to promote our product – our writing. Authors generously took us through their writing habits, how they created characters and plotlines, why they were driven to write these stories, and their experiences on their journey to publication. Julie Janson’s two-hour workshop on creating a crime novel was not to be missed.

I can see how my time at GenreCon has informed my most recent writing. Not only am I enthused to write more but I see an improvement in my writing itself. It’s more polished, more directed, I am able to clearly define my story’s plot-lines, my character’s arc, paring away the superfluous right down to the bones to build stronger prose.

I have the knowledge to direct my manuscripts to editors and publishers and give them my very best writing. I now have the skills to craft a tight synopsis and cover letter to accompany my manuscript to the publishers. And after a chat with a publishing house at GenreCon, my manuscript was requested for them to read. This particular pairing would not have happened except for GenreCon.

GenreCon is a long weekend where writers can learn, meet other writers and drink from the well of inspiration that only comes from writers gathering together and sharing their thoughts. Even little introverts like you and I can shine…and then escape back into our natural environment – the study, crouched over our laptops, wrapping the skin and bones around those voices in our heads.

Laree Chapman

I am extremely grateful to the Regional Arts Development Fund (RADF) for awarding me a Quick Response Grant to attend GenreCon 2024 in Brisbane. Their foresight in granting artists (and I include writers as artists) funding to help them attend festivals, events and workshops is greatly appreciated.

First Time for Everything

It’s been over a month since I attended GenreCon 2024, in Brisbane. 

As a first timer at this, it was nice to have my friends from Bundaberg Writers Club with me. Laree Chapman, Sandy Curtis, and Jacqui Read were there to guide me through the intense schedule, and I won’t lie, it was full on. 

Fantabulous Fun: BWC members Jacqui, Gail, Sandy and Laree

The subjects covered were many and varied –– something for every type of writer: Fantasy, sci fi, romance, crime, memoir. All there under one roof. 

If you have had no experience of this sort of thing, it was stimulating to say the least.

A selection of workshops was available. The first one I attended was Nick Earls’ workshop “Writing the Novella”. 

I went into it thinking that it would just be a talk on how to extend a short story idea into a short novel. Nick’s workshop did cover that, but he also covered the popularity of the novella in today’s market. This had been the subject of his thesis, so he was pretty much on point with his reasoning, starting with busy lives and short attention spans of today’s readers. 

He also covered the how to contain the storyline, reduce the number of sub plots and how a novella is a good place to experiment with storyline, a chance to get into the detail of character and plot. 

During the workshop I couldn’t help thinking that my 80,000-word manuscript should be a novella. Later I was thinking that I probably had a novelette. By the time I left I was looking at a short story. 

Patrick Ness, keynote speaker, encouraged everyone to keep writing no matter what.  Don’t let anyone tell you that you can’t write. Write anything and everything. Short stories, articles, novels, memoirs, even letters. Just write. The other thing he said was overnight success takes years.

As an emerging crime writer, I was thrilled to hear from Rachel Amphlett about how she writes her crime novels. On the last day I attended an outstanding workshop by Julie Jansen about how to plot a crime novel. I gained a lot of inspiration from her and found I identified with her thought process. 

The big surprise for me was that my submission had been picked to be read out to the assembled crowd in “The Shreader [sic]”, a session where 5 selected submissions are read to a panel of writers and editors who decide if they want to read more, or it goes to the shredder.  It took me a while to realize that my words were being read out and you could have knocked me over with a feather, as the saying goes. It was such a boost when they said that they would be interested to read on. 

Don’t let anyone tell you that you can’t write. Write anything and everything. Short stories, articles, novels, memoirs, even letters. Just write.

An ability to network with industry professionals and gain insight to the inner working of how much goes on behind the scenes is essential. It is a part of an author’s business and today writing is a business.  We need to know what is expected of us, from the people who edit our manuscripts through marketing our work to what our readers want from us. Meeting new friends all at different stages of their writing was the icing on the cake.

This gathering of like-minded people at GenreCon is very much like a writing club on steroids. I thought I would feel out of place and time with everyone: writers, publishers, and editors. I thought I wouldn’t be ready to acknowledge the label of either author or writer, but I was wrong. 

I found the experience a great source of knowledge and inspiration.  I think this year I will be saving up for GenreCon 2025.

Gail Killen.