It’s been over a month since I attended GenreCon 2024, in Brisbane.
As a first timer at this, it was nice to have my friends from Bundaberg Writers Club with me. Laree Chapman, Sandy Curtis, and Jacqui Read were there to guide me through the intense schedule, and I won’t lie, it was full on.
The subjects covered were many and varied –– something for every type of writer: Fantasy, sci fi, romance, crime, memoir. All there under one roof.
If you have had no experience of this sort of thing, it was stimulating to say the least.
A selection of workshops was available. The first one I attended was Nick Earls’ workshop “Writing the Novella”.
I went into it thinking that it would just be a talk on how to extend a short story idea into a short novel. Nick’s workshop did cover that, but he also covered the popularity of the novella in today’s market. This had been the subject of his thesis, so he was pretty much on point with his reasoning, starting with busy lives and short attention spans of today’s readers.
He also covered the how to contain the storyline, reduce the number of sub plots and how a novella is a good place to experiment with storyline, a chance to get into the detail of character and plot.
During the workshop I couldn’t help thinking that my 80,000-word manuscript should be a novella. Later I was thinking that I probably had a novelette. By the time I left I was looking at a short story.
Patrick Ness, keynote speaker, encouraged everyone to keep writing no matter what. Don’t let anyone tell you that you can’t write. Write anything and everything. Short stories, articles, novels, memoirs, even letters. Just write. The other thing he said was overnight success takes years.
As an emerging crime writer, I was thrilled to hear from Rachel Amphlett about how she writes her crime novels. On the last day I attended an outstanding workshop by Julie Jansen about how to plot a crime novel. I gained a lot of inspiration from her and found I identified with her thought process.
The big surprise for me was that my submission had been picked to be read out to the assembled crowd in “The Shreader [sic]”, a session where 5 selected submissions are read to a panel of writers and editors who decide if they want to read more, or it goes to the shredder. It took me a while to realize that my words were being read out and you could have knocked me over with a feather, as the saying goes. It was such a boost when they said that they would be interested to read on.
Don’t let anyone tell you that you can’t write. Write anything and everything. Short stories, articles, novels, memoirs, even letters. Just write.
An ability to network with industry professionals and gain insight to the inner working of how much goes on behind the scenes is essential. It is a part of an author’s business and today writing is a business. We need to know what is expected of us, from the people who edit our manuscripts through marketing our work to what our readers want from us. Meeting new friends all at different stages of their writing was the icing on the cake.
This gathering of like-minded people at GenreCon is very much like a writing club on steroids. I thought I would feel out of place and time with everyone: writers, publishers, and editors. I thought I wouldn’t be ready to acknowledge the label of either author or writer, but I was wrong.
I found the experience a great source of knowledge and inspiration. I think this year I will be saving up for GenreCon 2025.
Gail Killen.